He engaged fans with emotional performances and unveiled an unreleased song.
Anticipation for his future global activities is rising.
[TV Daily Reporter Kim Hangil] EXO member and solo artist Baekhyun has concluded his extensive tour. Over three days, from January 2 to 4, he held an encore concert titled ‘Reverie dot’ at the KSPO Dome in Seoul, connecting with fans. The final performance on the 4th was also streamed online, allowing global fans to participate in the memorable event.
The concert kicked off with ‘All I Got,’ followed by performances of ‘UN Village,’ ‘Cry For Love,’ and ‘Pineapple Slice,’ showcasing Baekhyun's emotional depth. He later elevated the atmosphere with songs like ‘Underwater,’ ‘Stay Up,’ and ‘Bambi,’ interacting seamlessly with a live band to mesmerize the audience.
Baekhyun also performed popular tracks from previous tours, such as ‘Truth Be Told’ and unveiled an unreleased song ‘Magic On The Floor,’ raising anticipation for future releases. The encore concluded with 'PARANOIA' and 'Garden In The Air' after fervent requests. Post-performance, Baekhyun expressed heartfelt gratitude to fans and concluded the event warmly with ‘Amusement Park.’
Baekhyun's encore concert marked a significant moment showcasing his accumulated performance experience and musical growth. The close interaction with fans deepened a sense of connection, likely positively impacting both Baekhyun's music and brand image. Moreover, his delicate vocal performances combined with high-quality stage design left a lasting impression on the audience.
The diverse range of songs performed expanded Baekhyun's musical spectrum significantly. The debut of the unreleased song ‘Magic On The Floor’ heightened anticipation for his future musical endeavors, establishing him not just as an idol but as a serious artist.
The fact that Baekhyun is preparing to engage with global fans through new stages in 2026 generates significant excitement. His future activities are expected to gain attention, further amplifying his influence within the K-POP industry.
This article is KOSTAR’s reinterpretation of a story originally reported by TVDaily.
Photo: INB100
