He will continue his activities in Korea, planning to perform as a 'fourth-quarter artist.'
He aims to pursue a balanced life between Korea and Canada.
Choi Hyun-jun from V.O.S has decided to immigrate to Canada with his family. On the 13th, he announced via his social media that after much contemplation, he has chosen to start anew. He expressed his hopes for joyful miracles in the new challenges awaiting him in Vancouver. The decision to emigrate was something he'd been pondering for some time, as he aims to create a healthier and happier future for his family. Importantly, he confirmed that he will continue with his activities in Korea; he plans to hold concerts every year from October to December, adapting to his new routine as a 'fourth-quarter artist.' His domestic schedule runs until June 16, before departing for Canada on the 17th. Since debuting in 2004 as part of V.O.S and gaining popularity with numerous hit songs, he has been happily married to model Shin So-yi since 2014, with whom he has two children.
Choi Hyun-jun’s decision to immigrate to Canada reflects a profound contemplation not just over geographical transition but also on his family and future. His statements reveal that the well-being and happiness of his family take precedence, showcasing his intent to maintain balance between his career as an artist and his personal life.
Moreover, this announcement illustrates a broader trend in the Korean music industry where artists are increasingly globalizing their activities. Amidst many artists expanding their reach abroad, Choi’s choice to continue his Korean engagements even after relocating highlights his commitment to exploring diverse opportunities. This indicates his willingness to adapt while maintaining his artistic integrity.
Lastly, his introduction of the 'fourth-quarter artist' concept signifies his resolve to preserve his identity amidst changing circumstances. By planning to continue performances in Korea, he is expected to strengthen ties with his fans while also potentially attracting a new audience, effectively leveraging opportunities in the evolving music landscape.
This article is KOSTAR’s reinterpretation of a story originally reported by TVDaily.
Photo: TVDaily
