They emphasized the need for collaboration to build a clear music settlement system.
KOMCA claims the opaque settlement practices harm creators.
The Korean Music Copyright Association (KOMCA) recently criticized the prevalence of the 'opaque settlement' structure among broadcasting channel operators (PP) for their neglect in submitting music usage data. KOMCA emphasizes the need for collaboration to establish a fair settlement system, stressing the importance of accurate music use reporting by broadcasters.
In South Korea, two copyright management organizations coexist, including KOMCA, but a significant number of PP operators fail to submit their music usage records. Amid this irregularity, terrestrial broadcasters have initiated the Broadcasting Music Monitoring Operating Committee (BROMIS) to collect actual usage data.
However, many PP operators have refrained from participating in this trend, showing no willingness to take part in monitoring initiatives necessary for calculating management ratios. This behavior leads to hindrances in establishing a transparent settlement system, which KOMCA argues adversely impacts both business growth and national competitiveness.
KOMCA's recent statements reflect the critical issues hindering fair copyright settlements within the PP industry. The lack of submitted music usage data by broadcasters complicates accurate royalty calculations, creating a detrimental cycle that ultimately harms creators.
Additionally, when compared to the situation in Japan, it is evident that Korea is lagging in copyright protection. In Japan, over 99% of broadcasters submit their music usage records, whereas the domestic PP industry struggles to build trust. This discrepancy could lead to unfavorable outcomes in competition with global OTT platforms.
Ultimately, the ongoing debate goes beyond just the issue of royalty calculations. It represents a crucial factor that could positively influence the sustainability of the content industry and the overall cultural sector of the nation.
This article is KOSTAR’s reinterpretation of a story originally reported by TVDaily.
Photo: KOMCA
